============================ "What Becomes A Legend Most" ============================ album _New Sensations_ (Lou Reed, 1984) written by Lou Reed ============================ What becomes a legend most when she's alone in a hotel lobby What becomes a legend most some bad champagne and some foreign bottled beer What becomes a legend most when the musicians have come and then leave her What becomes a legend most besides being a legendary star What becomes a legend most lying in bed cold and regal What becomes a legend most lying in bed watching a talk show on TV What becomes a legend most fifty days in fifty cities And everyone says she looks pretty at least as pretty as a legend should Fifty days can wear you down fifty cities flying by A different man in each different hotel and if you're not careful word can get around What becomes a legend most not a bed that is half-empty Not a heart that is left empty that's not pretty, not pretty at all What becomes a legend most when she's lying in her hotel room What becomes a legend most well baby, tonight it's you (tonight it's you) Baby, tonight it's you (What becomes a legend most, sha-la-la-la-la) Baby, it's you (what becomes a legend most, sha-la-la-la-la) maybe tomorrow (What becomes a legend most, sha-la-la-la-la) Baby, it's you (what becomes a legend most, sha-la-la-la-la) (What becomes a legend most, sha-la-la-la-la) (what becomes a legend most, sha-la-la-la-la) (What becomes a legend most, sha-la-la-la-la) (what becomes a legend most, sha-la-la-la-la) ... intro {G}{Bm(onF#)}{Fm6}{D#} {G}{Bm(onF#)}{Fm6}{D#} (What becomes a legend most ...) {D#m}{A#/Gm}{Cm}{Cm/F} (What becomes a legend most ...) {G}{Bm(onF#)}{Fm6}{D#} (What becomes a legend most ...) {D#m}{A#/Gm}{Cm}{Cm/F} (What becomes a legend most ...) {D}{Dmaj7}{D7}{G} (What becomes a legend most ...) {Gm}{D/Bm}{Em}{Em/A} (What becomes a legend most ...) {G}{Bm(onF#)}{Fm6}{D#} (What becomes a legend most ...) {D#m}{A#/Gm}{Cm}{Cm/F} (And everyone says she looks ...) bridge {Em}{Em}{D}{D} (Fifty days can wear you down ...) {Em}{Em}{C}{A} (A different man in each ...) {D}{Dmaj7}{D7}{G} (What becomes a legend most ...) {Gm}{D/Bm}{Em}{Em/A} (Not a heart that is left ...) {G}{Bm(onF#)}{Fm6}{D#} (What becomes a legend most ...) {D#m}{A#/Gm}{Cm/F} (What becomes a legend most ...) {A#/Gm}{Cm/F} (- you, Baby, tonight it's -) coda {A#}{Gm}{A#}{Gm} (- you, baby, it's you, maybe -) {A#}{Gm}{A#}{Gm} (- tomorrow, Baby, it's you) {A#}{Gm}{A#}{Gm} background vocals {A#}{Gm}{A#}{Gm} background vocals ... fade out * chords Bm(onF#) Fm6 1e ---2--- ------- 2B ---3--- ---3--- 3G ---4--- ---1--- 4D ---4--- ---3--- 5A ---x--- ---3--- 6E ---2--- ---1--- ********************************************************************* --------------------------------------------------------------------- thanks: Bert Timmermans (bonzothegod@hotmail.com) --------------------------------------------------------------------- tiny detail: I think the A#(on F) chord in "What becomes a legend most" should actually be Fm6 (i.e. F-Ab-C-D). I might be mistaken, but it sounds better (at least on piano) --------------------------------------------------------------------- --------------------------------------------------------------------- thanks: Bert Timmermans (bonzothegod@hotmail.com) --------------------------------------------------------------------- furthermore, at the end of what becomes a legend most, {D#m} {A#/Gm} {Cm7/F} {A#/Gm} {Cm7/F} (or, more specifically, the Cm7 is actually Cm7.Cm) --------------------------------------------------------------------- ********************************************************************* transcribed by Shiroh KOUCHI (wildside@mx21.tiki.ne.jp) http://ww21.tiki.ne.jp/~wildside/ *********************************************************************